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Motion-Graphics / Documentary Editor

Cold Contact

RemoteMiddleContract

Hiring: Motion-Graphics / Documentary Editor — Cold Contact

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WHO WE ARE

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Cold Contact is a new faceless documentary channel about UFO and

unexplained-aerial cases — sober "true crime of the sky." One

documented, unresolved case per film, opened like a classified

dossier and closed with "you decide."

Every episode is built from archival stills, licensed footage, maps

and motion graphics, graded to feel like a real declassified case

file. NO 2D animation. NO character animation. NO whiteboard.

But this isn't someone's side project. The channel is produced by

Tulipán Tündér, a Hungarian production house running since 2013:

  • 14 productions, 1,000,000+ total audience
  • Feature films + a TV series on national television (TV2)
  • International exhibitions — Banksy, NASA "Gateway to Space", Avatar

You'd build a brand-new channel from episode #1 with people who ship

real productions at scale — not a first-timer figuring it out.

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WHY WORK WITH US (not the big faceless studios)

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Big channels pay well but treat editors like a render farm.

With us

  • DIRECT ACCESS — you work straight with the producer (György). Real

feedback, fast answers, no faceless middleman.

  • NO REVISION HELL — the creative system is already built. A

fact-checked pilot script, a full Visual Identity Bible, a

shot-by-shot storyboard and a VO spec are waiting for you. You get

a brief, not a guessing game.

  • FOUNDER-TEAM STATUS — join at episode #1, grow into lead editor /

channel producer as we scale.

  • CREATIVE OWNERSHIP — you own the look of every film from day one.

Pitch ideas, shape the visual language, earn performance bonuses.

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THE ROLE

  • Edit 4–6 long-form documentary episodes / month (10–12 min each)
  • Cold, filmic colour grade across stills and archival footage —

one consistent LUT, grain, vignette

  • Motion graphics in After Effects: redaction-bar reveals, CASE FILE

stamps, evidence tags, map/route draws, radar sweeps, timestamp and

coordinate overlays, the audio-waveform visual

  • Source-cut and mix archival footage with stills for visual variety
  • Sound design tight to the narration — drone beds, and silence used

deliberately

You are

  • A documentary / motion-graphics editor

(Premiere Pro or DaVinci Resolve + After Effects)

  • Strong on cinematic pacing, colour grading and clean typography
  • NOT a character animator, whiteboard/explainer animator, or a

fast-cut gaming / MrBeast-style retention editor

Bonus (not required): AI tools in your workflow — upscaling,

restoration, generative fill on archival stills, AI b-roll for

texture inserts. We move fast and we like editors who use AI to

ship faster without losing the handmade documentary feel.

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OFFER

  • Month 1 trial: $150–180 / episode
  • Month 2+: $800–1,500 / month + viral bonuses
  • Fully remote, flexible schedule, steady long-term batches
  • Growth path to lead editor / channel producer

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PROCESS

  • Fill the form (under 2 min): [FORM LINK] ()
  • PAID test task — ~40 sec cut to our brief, $75 on acceptance
  • Short call → offer

Apply: [FORM LINK] ( every application reviewed within 48h

  • György, Cold Contact (Tulipán Tündér · tulipantunder.hu)

Skills

Updated January 21, 1970

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Motion-Graphics / Documentary Editor | ccwork